No. 43 (2023): Silversmithing in Spain. New contributions

Silversmithing in Spain. New contributions.

Published: 2024-01-11

Full Issue

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Summary

• Contents y presentation Silversmithing in Spain. New contributions.

  Florencio J. García Mogollón

  1-18

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  DOI: https://doi.org/10.17398/

Articles. I. Monographic section

• The marking of silver in Castile and AragónRT ONE: CASTILE

  Aurelio A. Barrón García

  21-38

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  DOI: https://doi.org/10.17398/2660-714X.43.21

• SOME NEWS ABOUT SILVERSMITHS AND SILVERSMITHING IN ÁVILA

  José Manuel Cruz Valdovinos

  39-52

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  DOI: https://doi.org/10.17398/2660-714X.43.39

• Silverware from Talavera de la Reina (16th to 18th centuries) in Upper Extremadura. Works by Juan de Ledesma, Juan Váez, Blas Carrasco, Juan Domínguez, Pedro de Soto y Loaysa and José Sánchez Crespo.

  Florencio Javier García Mogollón

  53-70

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  DOI: https://doi.org/10.17398/2660-714X.43.53

• Antón Samón Pinós, Ssilversmith of Barcelona from th last quarter of the  18th century and the first third of the 19th century

  Francisco Javier Montalvo Martín

  71-87

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  DOI: https://doi.org/10.17398/2660-714X.43.71

• DREAM, UTOPIA AND DISENCHANTMENT. CAYETANO GONZÁLEZ GÓMEZ AND THE RECONSTRUCTION OF THE PROCESSIONAL MONSTRANCE OF THE CATHEDRAL OF MÁLAGA

  Juan Antonio Sánchez López

  89-118

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  DOI: https://doi.org/10.17398/2660-714X.43.89

• THE SILVERSMITH VICENTE GARGALLO Y ALEXANDRE (1742-1808): BIOGRAPHICAL NEWS AND HIS WORK IN SEVILLE CATHEDRAL

  Antonio Joaquín Santos Márquez

  119-138

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  DOI: https://doi.org/10.17398/2660-714X.43.119

Articles. II. General Section: Art and Heritage

• Weaving and embroidery of Virgen de la Antigua of the Cathedral in Jaén

  Ismael Amaro Martos

  141-162

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  DOI: https://doi.org/10.17398/2660-714X.43.141

• A story of aesthetic love: Adelardo Covarsí and the elaboration and realisation of the report and budgets of the set that is projected in the assembly hall and the presidential office of the municipal palace of Alburquerque (Badajoz)

  Marina Bargón García, Enrique Meléndez Galán

  163-187

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  DOI: https://doi.org/10.17398/2660-714X.43.163

• Vicente Alanís, a sevillian painter in lower Extremadura.

  Álvaro Cabezas García

  189-212

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  DOI: https://doi.org/10.17398/2660-714X.43.189

• The missing ceramics of Charles V and Isabella of Portugal. A study of their pieces through the royal inventories.

  Eva Calvo

  213-231

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  DOI: https://doi.org/10.17398/2660-714X.43.213

• The criterion of "polychrome correspondence" as a primary source for art history. The Virgin of the Rosary from Santibáñez de la Sierra, Salamanca

  Alejandra del Barrio Luna

  233-259

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  DOI: https://doi.org/10.17398/2660-714X.43.233

• The Cinema of José Luis Guerín: En construcción (2001) and Unas fotos en la ciudad de Sylvia (2007)

  Jesús España Rodríguez

  261-283

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  DOI: https://doi.org/10.17398/2660-714X.43.261

• Architecture and Spanish art in the second half of the 20th century. Disciplinary transfers and collaborations

  José Antonio Flores Soto

  285-306

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  DOI: https://doi.org/10.17398/2660-714X.43.285

• Between baroque and classicism: Manuel García de Santiago, a new documented work for his repertoire

  Salvador Guijo Pérez, Raúl Antonio Macías Giráldez

  307-322

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  DOI: https://doi.org/10.17398/2660-714X.43.307

• A recovered sculptural group by Antonio Susillo: El grito de Independencia (1884)

  Alicia Iglesias Cumplido

  323-346

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  DOI: https://doi.org/10.17398/2660-714X.43.323

• On the variations of the colour of the sun at the opening of the sixth seal (Rev. 6, 12-17) in Commentaria in Apocalypsin by Beato de Liébana

  Jorge Jiménez López, Jennifer Solivan Robles

  347-370

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  DOI: https://doi.org/10.17398/2660-714X.43.347

• Reception and legacy of Gustav Klimt in Northern Italy

  Juan Agustín Mancebo Roca

  371-387

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  DOI: https://doi.org/10.17398/2660-714X.43.371

Varia's note

• Ventura Vaca's architectural contribution in Alburquerque over time: new contributions and meanings

  Marina Bargón García

  391-402

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  DOI: https://doi.org/10.17398/2660-714X.43.391

• Unpublished works by Blas Molner: Some reflections on his production

  Jesús Porres Benavides

  403-413

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  DOI: https://doi.org/10.17398/2660-714X.43.403

Bibliographic news

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  ABERTH, Susan y ARCQ, Tere, El tarot de Leonora Carrington.

  María Elena Giménes Reneses

  417-418

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  DOI: https://doi.org/10.17398/
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  CUESTA GARCÍA DE LEONARDO, Mª José, Las empresas de la eternidad. Juan de Santiago y la retórica verbo-visual jesuítica.

  Francisco José Cerceda Cañizares

  419-421

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  DOI: https://doi.org/10.17398/
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  PAZOS-LÓPEZ, Ángel y CUESTA SÁNCHEZ, Ana María (eds.), Las imágenes de los animales fantásticos en la Edad Media.

  José Julio García Arranz

  422-425

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  DOI: https://doi.org/10.17398/
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  RUIZ OSUNA, A. (Coord). La muerte en Córdoba. Creencias, ritos y cementerios (III)

  Elena Morales Zafra

  426-428

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  DOI: https://doi.org/10.17398/
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  SÁNCHEZ LÓPEZ, Juan Antonio y RAMÍREZ GONZÁLEZ, Sergio, La impronta de una familia. Los Asensio de la Cerda, escultores en la Málaga del siglo XVIII.

  Marta Bleda Soler

  429-431

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  DOI: https://doi.org/10.17398/
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  TIELVE GARCÍA, Natalia y SUÁREZ ANTUÑA, Faustino (coords.), Retrato de un legado. El patrimonio industrial en Asturias/ Portrait of a Legacy. Industrial Heritage in Asturias.

  Patricia Fernández Pastor

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  DOI: https://doi.org/10.17398/