No. 42 (2022): Restoration, conservation and protection of historical and artistic heritage

Summary

Index

Norba Revista de Arte

1-14

Articles. I. Monographic section

Conservation and protection of the historical-artistic heritage in Úbeda (Jaén). The beginning of the 20th. century

José Manuel Almansa Moreno

15-40
- PDF (Spanish)
Castles on the horizon. Conservation and restoration during Franco's regime.

María Esther Almarcha Núñez-Herrador, Rafael Villena Espinosa

41-67
- PDF (Spanish)
Cultural heritage in the spotlight. Hybrid warfare, precedents and safeguarding initiatives and the Russian-Ukrainian conflict.

Noelia Fernández García

69-92
- PDF (Spanish)
The recovery of the cloister of the convent of San Francisco de Palma from Jeroni Martorell to Alejandro Ferrant. Scientific restoration versus visual unity

María Pilar García Cuetos

93-116
- PDF (Spanish)
Of ruins and castles: a research project on the restoration of monuments in the 21st century.

María del Valle Gómez de Terreros Guardiola

117-137
- PDF (Spanish)
The intervention of Francisco Íñiguez Almech in the Parroquieta de La Seo (Zaragoza, 1935-1936). An example of the contradictions existing in the restoration of Spanish monuments.

Ascensión Hernández Martínez

139-164
- PDF (Spanish)
Rhetoric of identity. The restoration of the ancient Palazzo Comunale of Saluzzo (Cuneo, Italy).

Chiara Lucia Maria Occelli

165-185
- PDF (Spanish)
Intervention in heritage during the transition period. The ideas competition for the extension of the Banco de España in 1978.

Irene Ruiz Bazán

187-210
- PDF (Spanish)
The ruin of Architecture. Considerations about volumetric reintegration criteria in contemporary projects

Sergio Sebastián Franco

211-236
- PDF (Spanish)

Articles. II. General Section: Art and Heritage

Gonzalo Bilbao anda his foray to the pictorial mode of monaguillismo

Álvaro Cabezas García

239-246
- PDF (Spanish)
Francisco Barranco and Jusepe Martínez, two disciples of the Cuenca painter Cristóbal García Salmerón.

Sonia Casal Valencia

247-258
- PDF (Spanish)
The artistic career of Carlos de Haes in Spain and his critical reception at the National Exhibitions of Fine Arts (1856-1884)

Luis Aurelio González Prieto, María del Mar Díaz González

259-294
- PDF (Spanish)
Flesh, mirrors and acceptance in the 1990s: a comparative study of video art and poetry in the Basque context.

Maite Luengo Aguirre

295-313
- PDF (Spanish)
Contemporary pictorial representations of the Asturian coast.

Laura Mier Valerón

315-338
- PDF (Spanish)
Contributions to the study of the Melgarejo Tower (Jerez de la Frontera, Cádiz).

Juan Antonio Moreno Arana

339-350
- PDF (Spanish)
Silversmith, engineer and councillor: Miguel Bruzos Cimadevila (1847-1916), an unknown multifaceted artist from Compostela.

Ana Pérez Varela

351-368
- PDF (Spanish)
The convent of San Esteban de Salamanca in the 14th century. Chronological details, devotional, and funeral topography

Juan Pablo Rojas Bustamante

369-383
- PDF (Spanish)
The restorations of Isidoro Brun y Aguilar (1819-1898) on some canvases from the pictorial collection of the Dukes of Medinaceli: Juan de Alfaro and Luca Giordano.

Raúl Romero Medina

385-404
- PDF (Spanish)
A forgotten passage in the monumental city of Cáceres. The connection from Tenerías to Caleros.

Juan Saumell Lladó, Antonio Lauria

405-426
- PDF (Spanish)

Varia's note

Trilluci Rome 1915. Umberto Maganzini´s avant-garde re-evaluation of the work.

Juan Agustín Mancebo Roca

429-436
- PDF (Spanish)
Luisa Roldán: a lost Saint John of God rediscovered.

Antonio Romero Dorado, José Manuel Moreno Arana

437-448
- PDF (Spanish)

Bibliographic news

ALAGÓN LASTE, José María, Los pueblos de colonización en la Cuenca del Ebro: planificación territorial y urbanística

María del Mar Lozano Bartolozzi

451-454
- PDF (Spanish)
CORTÉS ARRESE, Miguel, Paisajes del románico en tierras de Castilla

María Teresa Terrón Reynolds

455-457
- PDF (Spanish)
GARCÍA CUETOS, María Pilar, La construcción de una imagen. El prerrománico asturiano entre 1844 y 1936.

Pilar Mogollón Cano-Cortés

458-460
- PDF (Spanish)
LOZANO BARTOLOZZI, María del Mar (dir.), El patrimonio de las obras públicas. Del puente romano de Alcántara al diálogo con la actualidad.

José María Alagón Laste

461-467
- PDF (Spanish)
QUINTANA TRIAS, Lluís, El instante recuperado. La memoria involuntaria en la literatura y las artes

Lara Arribas Ramos

468-470
- PDF (Spanish)

No. 42 (2022): Restoration, conservation and protection of historical and artistic heritage

Full Issue

Summary

Index

Articles. I. Monographic section

Conservation and protection of the historical-artistic heritage in Úbeda (Jaén). The beginning of the 20th. century

Castles on the horizon. Conservation and restoration during Franco's regime.

Cultural heritage in the spotlight. Hybrid warfare, precedents and safeguarding initiatives and the Russian-Ukrainian conflict.

The recovery of the cloister of the convent of San Francisco de Palma from Jeroni Martorell to Alejandro Ferrant. Scientific restoration versus visual unity

Of ruins and castles: a research project on the restoration of monuments in the 21st century.

The intervention of Francisco Íñiguez Almech in the Parroquieta de La Seo (Zaragoza, 1935-1936). An example of the contradictions existing in the restoration of Spanish monuments.

Rhetoric of identity. The restoration of the ancient Palazzo Comunale of Saluzzo (Cuneo, Italy).

Intervention in heritage during the transition period. The ideas competition for the extension of the Banco de España in 1978.

The ruin of Architecture. Considerations about volumetric reintegration criteria in contemporary projects

Articles. II. General Section: Art and Heritage

Gonzalo Bilbao anda his foray to the pictorial mode of monaguillismo

Francisco Barranco and Jusepe Martínez, two disciples of the Cuenca painter Cristóbal García Salmerón.

The artistic career of Carlos de Haes in Spain and his critical reception at the National Exhibitions of Fine Arts (1856-1884)

Flesh, mirrors and acceptance in the 1990s: a comparative study of video art and poetry in the Basque context.

Contemporary pictorial representations of the Asturian coast.

Contributions to the study of the Melgarejo Tower (Jerez de la Frontera, Cádiz).

Silversmith, engineer and councillor: Miguel Bruzos Cimadevila (1847-1916), an unknown multifaceted artist from Compostela.

The convent of San Esteban de Salamanca in the 14th century. Chronological details, devotional, and funeral topography

The restorations of Isidoro Brun y Aguilar (1819-1898) on some canvases from the pictorial collection of the Dukes of Medinaceli: Juan de Alfaro and Luca Giordano.

A forgotten passage in the monumental city of Cáceres. The connection from Tenerías to Caleros.

Varia's note

Trilluci Rome 1915. Umberto Maganzini´s avant-garde re-evaluation of the work.

Luisa Roldán: a lost Saint John of God rediscovered.

Bibliographic news

ALAGÓN LASTE, José María, Los pueblos de colonización en la Cuenca del Ebro: planificación territorial y urbanística

CORTÉS ARRESE, Miguel, Paisajes del románico en tierras de Castilla

GARCÍA CUETOS, María Pilar, La construcción de una imagen. El prerrománico asturiano entre 1844 y 1936.

LOZANO BARTOLOZZI, María del Mar (dir.), El patrimonio de las obras públicas. Del puente romano de Alcántara al diálogo con la actualidad.

QUINTANA TRIAS, Lluís, El instante recuperado. La memoria involuntaria en la literatura y las artes

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