Trilluci Roma 1915. La Reevaluación Vanguardista de Umberto Magancini.

Juan Agustín Mancebo Roca

doi:10.17398/2660-714X.42.429

Authors

Juan Agustín Mancebo Roca University of Castilla-La Mancha https://orcid.org/0000-0003-4942-8879

DOI:

https://doi.org/10.17398/2660-714X.42.429

Keywords:

Futurism, Avant-garde, Italian painting

Abstract

From the 1950s onwards, the painter Umberto Magancini, «Trilluci», tried to have his short but intense Futurist involvement re-evaluated. Based on the exhibition at the Casa d'Arte Futurista Depero and the consultation of classic collections, Maroni´s avant-garde status is re-evaluated.

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Author Biography

Juan Agustín Mancebo Roca, University of Castilla-La Mancha

Professor of Contemporary Art History in the Dept. of Art History. PhD in Art History with European doctorate accreditation (UCLM, 2001) and Master in Aesthetics and Theory of Cinematography (University of Valladolid, 2008), he has carried out research work at the Archivio del '900 of the Museum of Modern and Contemporary Art of Trento and Rovereto (2022 and 2021) and the Royal Complutense College at Harvard University, Cambridge, Massachusetts (2011 and 2010). He was a fellow in Aesthetics and Theory of the Arts at the Spanish Academy in Rome (2013) and at the Santander Foundation at the Autonomous Metropolitan University of Mexico (2012).