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No. 43 (2023): Silversmithing in Spain. New contributions

View No. 43 (2023): Silversmithing in Spain. New contributions

Silversmithing in Spain. New contributions.

Published: 2024-01-11

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Summary

Contents y presentation Silversmithing in Spain. New contributions.

Florencio J. García Mogollón

1-18
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DOI: https://doi.org/10.17398/

Articles. I. Monographic section

The marking of silver in Castile and AragónRT ONE: CASTILE

Aurelio A. Barrón García

21-38
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DOI: https://doi.org/10.17398/2660-714X.43.21
SOME NEWS ABOUT SILVERSMITHS AND SILVERSMITHING IN ÁVILA

José Manuel Cruz Valdovinos

39-52
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DOI: https://doi.org/10.17398/2660-714X.43.39
Silverware from Talavera de la Reina (16th to 18th centuries) in Upper Extremadura. Works by Juan de Ledesma, Juan Váez, Blas Carrasco, Juan Domínguez, Pedro de Soto y Loaysa and José Sánchez Crespo.

Florencio Javier García Mogollón

53-70
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DOI: https://doi.org/10.17398/2660-714X.43.53
Antón Samón Pinós, Ssilversmith of Barcelona from th last quarter of the 18th century and the first third of the 19th century

Francisco Javier Montalvo Martín

71-87
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DOI: https://doi.org/10.17398/2660-714X.43.71
DREAM, UTOPIA AND DISENCHANTMENT. CAYETANO GONZÁLEZ GÓMEZ AND THE RECONSTRUCTION OF THE PROCESSIONAL MONSTRANCE OF THE CATHEDRAL OF MÁLAGA

Juan Antonio Sánchez López

89-118
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DOI: https://doi.org/10.17398/2660-714X.43.89
THE SILVERSMITH VICENTE GARGALLO Y ALEXANDRE (1742-1808): BIOGRAPHICAL NEWS AND HIS WORK IN SEVILLE CATHEDRAL

Antonio Joaquín Santos Márquez

119-138
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DOI: https://doi.org/10.17398/2660-714X.43.119

Articles. II. General Section: Art and Heritage

Weaving and embroidery of Virgen de la Antigua of the Cathedral in Jaén

Ismael Amaro Martos

141-162
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DOI: https://doi.org/10.17398/2660-714X.43.141
A story of aesthetic love: Adelardo Covarsí and the elaboration and realisation of the report and budgets of the set that is projected in the assembly hall and the presidential office of the municipal palace of Alburquerque (Badajoz)

Marina Bargón García, Enrique Meléndez Galán

163-187
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DOI: https://doi.org/10.17398/2660-714X.43.163
Vicente Alanís, a sevillian painter in lower Extremadura.

Álvaro Cabezas García

189-212
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DOI: https://doi.org/10.17398/2660-714X.43.189
The missing ceramics of Charles V and Isabella of Portugal. A study of their pieces through the royal inventories.

Eva Calvo

213-231
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DOI: https://doi.org/10.17398/2660-714X.43.213
The criterion of "polychrome correspondence" as a primary source for art history. The Virgin of the Rosary from Santibáñez de la Sierra, Salamanca

Alejandra del Barrio Luna

233-259
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DOI: https://doi.org/10.17398/2660-714X.43.233
The Cinema of José Luis Guerín: En construcción (2001) and Unas fotos en la ciudad de Sylvia (2007)

Jesús España Rodríguez

261-283
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DOI: https://doi.org/10.17398/2660-714X.43.261
Architecture and Spanish art in the second half of the 20th century. Disciplinary transfers and collaborations

José Antonio Flores Soto

285-306
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DOI: https://doi.org/10.17398/2660-714X.43.285
Between baroque and classicism: Manuel García de Santiago, a new documented work for his repertoire

Salvador Guijo Pérez, Raúl Antonio Macías Giráldez

307-322
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DOI: https://doi.org/10.17398/2660-714X.43.307
A recovered sculptural group by Antonio Susillo: El grito de Independencia (1884)

Alicia Iglesias Cumplido

323-346
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DOI: https://doi.org/10.17398/2660-714X.43.323
On the variations of the colour of the sun at the opening of the sixth seal (Rev. 6, 12-17) in Commentaria in Apocalypsin by Beato de Liébana

Jorge Jiménez López, Jennifer Solivan Robles

347-370
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DOI: https://doi.org/10.17398/2660-714X.43.347
Reception and legacy of Gustav Klimt in Northern Italy

Juan Agustín Mancebo Roca

371-387
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DOI: https://doi.org/10.17398/2660-714X.43.371

Varia's note

Ventura Vaca's architectural contribution in Alburquerque over time: new contributions and meanings

Marina Bargón García

391-402
- PDF (Spanish)
DOI: https://doi.org/10.17398/2660-714X.43.391
Unpublished works by Blas Molner: Some reflections on his production

Jesús Porres Benavides

403-413
- PDF (Spanish)
DOI: https://doi.org/10.17398/2660-714X.43.403

Bibliographic news

ABERTH, Susan y ARCQ, Tere, El tarot de Leonora Carrington.

María Elena Giménes Reneses

417-418
- PDF (Spanish)
DOI: https://doi.org/10.17398/
CUESTA GARCÍA DE LEONARDO, Mª José, Las empresas de la eternidad. Juan de Santiago y la retórica verbo-visual jesuítica.

Francisco José Cerceda Cañizares

419-421
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DOI: https://doi.org/10.17398/
PAZOS-LÓPEZ, Ángel y CUESTA SÁNCHEZ, Ana María (eds.), Las imágenes de los animales fantásticos en la Edad Media.

José Julio García Arranz

422-425
- PDF (Spanish)
DOI: https://doi.org/10.17398/
RUIZ OSUNA, A. (Coord). La muerte en Córdoba. Creencias, ritos y cementerios (III)

Elena Morales Zafra

426-428
- PDF (Spanish)
DOI: https://doi.org/10.17398/
SÁNCHEZ LÓPEZ, Juan Antonio y RAMÍREZ GONZÁLEZ, Sergio, La impronta de una familia. Los Asensio de la Cerda, escultores en la Málaga del siglo XVIII.

Marta Bleda Soler

429-431
- PDF (Spanish)
DOI: https://doi.org/10.17398/
TIELVE GARCÍA, Natalia y SUÁREZ ANTUÑA, Faustino (coords.), Retrato de un legado. El patrimonio industrial en Asturias/ Portrait of a Legacy. Industrial Heritage in Asturias.

Patricia Fernández Pastor
- PDF (Spanish)
DOI: https://doi.org/10.17398/

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