No. 40 (2020): Iconographic studies in Spain and Latin America

View No. 40 (2020): Iconographic studies in Spain and Latin America
Published: 2021-03-01

Full Issue

Summary

  • Index

    Norba Revista de Arte
    3-8

  • PRESENTATION: "Iconographic studies in Spain and Latin America: a state of the question"

    Francisco Javier Pizarro Gómez, José Julio García Arranz
    11-18
    DOI: https://doi.org/10.17398/2660-714X.40.11

Articles. I. Monographic section

  • The Ovidian Digital Library: a heritage project with an iconographic vocation on the «Ilustrated Ovid

    Fátima Díez Platas
    21-50
    DOI: https://doi.org/10.17398/2660-714X.40.21

  • ORBIS IMAGINES. Engraving and visual culture in Andalusia and its impact on the New World (16th- 18th centuries)

    Reyes Escalera Pérez
    51-72
    DOI: https://doi.org/10.17398/2660-714X.40.51

  • American Iconographic Monumenta: The Image of America in European and Latin American arts

    Yolanda Fern´ández Muñoz, Alicia Díaz Mayordomo
    73-92
    DOI: https://doi.org/10.17398/2660-714X.40.73

  • The iconographic types of Christian tradition. Research Project of the APES group

    Rafael García Mahíques
    93-112
    DOI: https://doi.org/10.17398/2660-714X.40.93

  • ‘Global Emblems’ and ‘Transmission and Intermediality: the impact of the emblematic culture on the early Americas’

    Pedro Germano Leal
    113-128
    DOI: https://doi.org/10.17398/2660-714X.40.113

  • SYMBOLA, database of historical devises or imprese. A resource on visual culture, literature and history on the internet

    Sagrario López Poza, Nieves Pena Sueiro
    129-155
    DOI: https://doi.org/10.17398/2660-714X.40.129

  • Iconography of Santa Teresa

    Fernando Moreno Cuadro
    157-174
    DOI: https://doi.org/10.17398/2660-714X.40.157

  • The historical reconstruction of colonial art through its engraved sources: The case of PESSCA

    Almerindo Ojeda Di Ninno
    175-184
    DOI: https://doi.org/10.17398/2660-714X.40.175

  • The Baroque Triumphs project: the study of the Renaissance and Baroque festival in the IHA group (Jaume I University)

    Inmaculada Rodríguez Moya, Víctor Mínguez Cornelles
    185-202
    DOI: https://doi.org/10.17398/2660-714X.40.185

  • Translation project of MUNDUS SYMBOLICUS by Filippo Picinelli at the Center for the Study of Traditions of the Michoacán College

    Bárbara Skinfill Nogal
    203-220
    DOI: https://doi.org/10.17398/2660-714X.40.203

Articles. II. General Section: Art and Heritage

  • Friedrich Eibner and the the romantic image of Toledo

    Jaime Moraleda Moraleda
    223-242
    DOI: https://doi.org/10.17398/2660-714X.40.223

  • Living the heritage: Juan Temboury Álvarez (1899-1965). Between theoretical science and scholarship

    Carlos Sarria Fernández
    243-262
    DOI: https://doi.org/10.17398/2660-714X.40.243

Varia's note

  • An unpublished painting by Manuel Cabral Bejarano

    Álvaro Cabezas García
    265-272
    DOI: https://doi.org/10.17398/2660-714X.40.265

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