No. 44 (2024): Variations on the comic and its intermediate possibilities.

View No. 44 (2024): Variations on the comic and its intermediate possibilities.

Variaciones sobre el cómic y sus posibilidades intermediales.

Published: 2025-01-08

Full Issue

Summary

  • Variations on the comic and its intermediate possibilities Variations on the comic and its intermediate possibilities

    Moisés Bazán de Huerta
    9-18
    DOI: https://doi.org/10.17398/

Articles. I. Monographic section

  • Forges on the big screen: País, S.A. (1975) and El Bengador Gusticiero y su pastelera madre (1977)

    Ana Asión Suñer
    21-36
    DOI: https://doi.org/10.17398/2660-714X.44.21

  • Between threads and vignettes: semiotics as a bridge between fashion and graphic narrative

    Marina Bargón García
    37-60
    DOI: https://doi.org/10.17398/2660-714X.44.37

  • Martín Mostaza, by Fermín Solís. Los días más largos, El año que vimos nevar and Mi organismo en obras

    Julio Gracia Lana
    61-88
    DOI: https://doi.org/10.17398/2660-714X.44.61

  • Some graphic novels about Frida Kahlo. From Flâneuse to Kahloism

    Francisca Lladó Pol
    89-112
    DOI: https://doi.org/10.17398/2660-714X.44.89

  • Humor in the times of anger. Clearing El humor gráfico español del siglo XX for a black-and-white contemporary history class

    Miguel Ángel Pallarés Jiménez
    113-138
    DOI: https://doi.org/10.17398/2660-714X.44.113

  • When the comic overflows: the formal exploration of Ilan Manouach y Martín Vitaliti

    Álvaro Pons Moreno, Noelia Ibarra Rius
    139-160
    DOI: https://doi.org/10.17398/2660-714X.44.139

  • Departure from canon: an analysis of the mangaesque and animesque elements  in Aku no Hana (The flowers of evil)

    José Andrés Santiago Iglesias
    161-182
    DOI: https://doi.org/10.17398/2660-714X.44.161

Articles. II. General Section: Art and Heritage

  • The marking of silver in Castile and Aragon. Second part: Aragon

    Aurelio A. Barrón García
    185-206
    DOI: https://doi.org/10.17398/2660-714X.44.185

  • New data on the hospital, confraternity and image of Nuestra Señora de la Caridad. An extinct welfare corporation in Huelva

    Rocío Calvo Lázaro
    207-226
    DOI: https://doi.org/10.17398/2660-714X.44.207

  • Strategies, adaptation and ruins. The awakening of contemporary Chinese art and the search for dialogue (1978-2018)

    Franco Cecchi
    227-252
    DOI: https://doi.org/10.17398/2660-714X.44.227

  • The altarpiece of stypites in Lower Extremadura

    Román Hernández Nieves
    253-281
    DOI: https://doi.org/10.17398/2660-714X.44.253

  • Graphic Culture in Sacred Places: Reflections on a Rediscovered Set of Grisaille within the Boundaries of the Ancient Diocese of Cartagena

    Alejandro Jaquero Esparcia
    283-307
    DOI: https://doi.org/10.17398/2660-714X.44.283

  • An unpublished document about Sebastian de Almonacid

    Ismael Mont Muñoz
    309-324
    DOI: https://doi.org/10.17398/2660-714X.44.309

  • The fire of the parish of Santa Marina in 1864. Loss of the Murillo’s Sueño de San José

    Víctor Daniel Regalado González-Serna
    325-336
    DOI: https://doi.org/10.17398/2660-714X.44.325

  • About the work of Roque Balduque in Lower Extremadura: the case of the Virgin of Llerena

    María Teresa Rodríguez Bote
    337-354
    DOI: https://doi.org/10.17398/2660-714X.44.337

  • Conflicts between sevillian silversmiths in the 18th century: the dispute between Vicente Gargallo Alexandre and Antonio Méndez for certain jewelry for san Pedro´s church of Cartaya (Huelva)

    José María Sánchez-Corteaga
    355-374
    DOI: https://doi.org/10.17398/2660-714X.44.355

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